Anicca

It was just another Wednesday afternoon during the lockdown. I was about to finish cooking and start cleaning the house. I was sweaty, irritated, and hungry when my husband decided to call me at the top of his voice. I responded to him with the normal frustration and he told me Irfan Khan has passed away. I was not expecting this. My first reaction was that this must be fake news. But to my utter disappointment, it was not, and I felt so gloomy for the rest of the day. 

Later in the afternoon, I was watching one of his old interviews where someone asked him about his most difficult acting jobs and Irfan Khan mentioned two names: Life of Pi and In Treatment. I had never heard of “In Treatment” TV series and started watching it immediately (what better way to honor his memory other than watching what he considered one of his most difficult acting jobs). 

In Treatment is an American HBO drama which was produced and developed by Rodrigo Garcia. It is about a psychotherapist, 50-something Paul Weston, his weekly sessions with patients, as well as those with his own therapist at the end of the week. The series debuted in January 28, 2008. 

I have only watched the part in season 3 where Irfan khan played a 52-year-old widower Sunil,  who was transported to New York from Calcutta following the death of his wife. His new life entailed him living with his son, daughter-in-law and their two young children. 

Sunil is not only depressed by his wife’s death, but he is also deeply wounded by his son’s decision to marry an American woman and angry at what he sees as his daughter-in-law's insensitivity. He is extremely disappointed with his son’s American lifestyle and thought process where he chooses his personal happiness over family respect and pride by marrying an American woman. 

I cannot express how much I got affected by this. Saying 'brilliant' would be an understatement. 

Sunil’s (Irfan Khan) son Arun/Aaron and his wife guides him to see a psychologist since he is finding it difficult adjusting to his new life in America. Sunil refuses to take a bath or eat, and doesn’t maintain proper personal hygiene. Sunil also displayed deeply resentful behavior towards his daughter-in-law and probably has some unresolved sexual tension towards her. 

As the series progresses, we learn more about Sunil, his lost love, a tragic suicide, and an unborn child. The series is portrayed as a mystery drama, where you can say for sure something is hidden but can’t exactly figure out what it is. The ending of the series is unpredictable and leaves you with a heartache. 

Irfan Khan portrayed the character of Sunil with so much ease that it seems like the audience is witnessing a real counseling session. On the surface when the audiences see Irfan’s character, he comes across as depressed. However, as we get to know more about him, there is an undertone of anger (second stage of grief), sexual tension, and huge guilt building up over time. 

Sunil is an extremely complex character. He was probably brought up by narcissistic parents who hammered a false sense of family pride before anything. For him, putting his family's pride before his happiness is a sign of a disciplined life. As such he resents his son for marrying someone he loves instead of the girl Sunil and his wife choose for him. In reality, he resents himself for not fighting for his own love; he didn’t even think of fighting and accepted the fact that marrying someone from his caste is the best thing to do. As a result, he was responsible for a death. 

All these issues from his childhood and past combined with his recent loss of his wife and moving to America became an unbearable situation for him. 

What will he do to resolve this? The story offers an answer in the end.

While watching, I saw Sunil, (not Irfan Khan) a middle-aged Bengali, his struggle, hopes, dreams, and an endless quest for a disciplined life. And that is the brilliance of Irfan Khan’s acting. You don’t see him; you see the character he is playing. That is the true nature of an Actor.

I will miss him, as will the film industry and people all over the world. I want to finish this with a dialogue from his movie ‘Life of Pie’: